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Marie, --- Fiction. --- Mary of Burgundy --- Duchess of Burgundy, --- Maria, --- Mary, --- Fiction --- Marie, - Duchess of Burgundy, - 1457-1482 - Fiction --- Marie, - Duchess of Burgundy, - 1457-1482

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These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

82-31 --- 82-31 Roman --- Roman --- Fiction --- LITTERATURE --- ROMAN --- HISTOIRE ET CRITIQUE --- THEORIE --- PHILOSOPHIE --- ESTHETIQUE

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This introductory book presents key concepts of narrative theory (or "narratology") and analyses five prose texts--the parable of the sower in St. Mark's Gospel, Franz Kafka's The Trial, James Joyce's 'The Dead', Joseph Conrad's Heart of Darkness, and Virginia Woolf's To the Lighthouse--by applying the principles of narrative theory. This book also discusses film versions of four of these texts: Orson Welles's The Trial, John Huston's The Dead, Francis Ford Coppola's Apocalypse Now, and Colin Gregg's To the Lighthouse. By lucidly presenting the concepts of narrative theory and illustrating and testing these concepts Narrative in Fiction and Film will be an invaluable text for undergraduates studying narrative theory as part of a literature or film studies course.

82:791.43 --- 82-3 --- #SBIB:309H507 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- 82:791.43 Literatuur en film --- Literatuur en film --- Code en boodschap: narrativiteitstheorie --- Motion pictures and literature --- -Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Discourse analysis, Narrative. --- Motion pictures and literature. --- Fiction --- Narration (Rhetoric). --- Technique. --- Discourse analysis, Narrative --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Narrative discourse analysis --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Technique --- Philosophy --- Rhetoric --- Narratees (Rhetoric) --- Literature --- Fiction writing --- Writing, Fiction --- Authorship --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction - Technique

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Fieldworks offers a historical account of the social, rhetorical, and material attempts to ground art and poetry in the physicality of a site.Arguing that place-oriented inquiries allowed poets and artists to develop new, experimental models of historiography and ethnography, Lytle Shaw draws out the shifting terms of this practice from World War II to the present through a series of illuminating case studies. Beginning with the alternate national genealogies unearthed by William Carlos Williams in Paterson and Charles Olson in Gloucester, Shaw demonstrates how

American poetry --- Place (Philosophy) in literature. --- Setting (Literature) --- Poetics --- History and criticism. --- History --- Place (Literature) --- Authorship --- Drama --- Fiction --- Literature --- Technique

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TABLE OF CONTENTS##- Narrative and two other text-types##- Description is no textual handmaiden##- What is description in the cinema?##- Argumentation in film: Mon oncle d'Amérique##- In defense of the implied author##- The implied author at work##- The literary narrator##- The cinematic narrator##- A new point of view on "point of view"##- A new kind of film adaptation: The French lieutenant's woman##- The "rhetoric" "of" "fiction."

Motion pictures and literature --- Cinéma et littérature --- --Narration --- --Sémiotique --- --History and criticism. --- Fowles, John, --- Récit filmique --- Analyse filmique --- The French lieutenant's woman (film) --- Cinéma et littérature --- 82:791.43 --- 82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- 82:791.43 Literatuur en film --- Literatuur en film --- Analyse du discours narratif --- Narration --- Cinéma --- Narration (Rhetoric) --- Fiction --- Motion picture plays --- Motion pictures and literature. --- Motion pictures --- History and criticism. --- Semiotics. --- Narration (Rhetoric). --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Semiotics --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- History and criticism --- Film --- --Littérature --- Criticism and interpretation. --- Roman --- Scénarios de cinéma --- Cinéma --- Histoire et critique --- Sémiotique --- Narration. --- Cinéma. --- Analyse du discours narratif. --- Récit filmique. --- Cinéma et littérature. --- Analyse filmique. --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fiction - History and criticism. --- Motion picture plays - History and criticism. --- Motion pictures - Semiotics. --- Littérature --- Sémiotique --- Fowles, John, - 1926- - Criticism and interpretation. --- Fowles, John, - 1926 --- -Fiction --- -Film